Coming soon (though not tomorrow--the order is still being sorted out, though I'm sure the accompanying description will be as drawn out as always): my countdown of my favorite singles of the year. I will say, though, that I currently feel strangely sure about my top placing song, though knowing me it will change ten times between now and when I actually post it.
In completely unrelated news, we've finally got a return to music from someone I've been waiting for--well, kind of return: Jon Nørgaard, the Danish singer who won Popstars many years ago and featured in Solo, the documentary film about what happens to these reality TV-forged singers several years down the line (it's a pretty good film, one which I've been meaning to write more about for years--I feel like I'd want to start a YouTube account and upload little clips to accompany any comments, though, and I've never bothered to find out how to do any of that).
To veer back on point, Jon is the featured vocalist on the new single from dance producer Kato, "Turn The Lights Off." Its musical backing is neither as heavy and dark as that of Infernal's "Ultimate Control" nor as beachside light as his collaborations with Musikk, but it's slightly more on the upbeat tip if you have to peg it down to one or the other.
As the song is a cover of a song that was already pretty enjoyable and isn't a massive international crossover hit in the waiting, this new version's existence probably won't be of interest to more than a handful of people on the Internet and some Danish dance music fans. Still, I love Jon's voice and, despite the growing pains he's experienced over the years, felt only more inclined to like him as a person after Solo, so I'm glad he's got new music out for me to listen to, enjoy, and buy.
Showing posts with label Jon. Show all posts
Showing posts with label Jon. Show all posts
Tuesday, January 05, 2010
Friday, April 04, 2008
Baby, let me show you how to do na na na

Summer Lovin' (INF:RMX Radio Edit)--the song opens just with Jon's voice (albeit enhanced to echo around), but pretty quickly very Infernal-esque electronic beats come in (you'll know exactly what I'm referring to when you hear them). Those beats take what, in its original version, was a nice summery beachy dance song and make it pounding and intimidating and, even though those electro beats couldn't be more pure, kind of dirty--a lot like "Ultimate Control," actually, which is probably why I love this remix so much. If the original mix takes you to a sunshine-filled beach, the Infernal remix gets you alternating between the center of the dancefloor and some dark and dirty corner of the club. I know I've said it before, but Jon's voice is so fantastic for this kind of dance music--well, music in general, but I literally cannot get enough of it over these kinds of beats.
You can buy the Musikk feat. John Rock single "Summer Lovin'" (which has a bunch of remixes) here (physical) or here (digital). It's also available on iTunes here.
(Also, I need to take a moment to curse DSTP for introducing me to Jon--it's cost me way too much money!)
Next up: maybe that Belgian singer.
Wednesday, September 05, 2007
I was only seventeen

Speaking of Jon, I mentioned the documentary about him, his rise to fame, and ensuing troubles (Solo) a while ago and I'm now pretty sure it does have English subtitles (I'm guessing that "Undertekster" means "subtitles"?). I'm still really interested to see it (the reviews on IMDb look good) and when I do, I'll definitely let you know what I think, but I'm trying to hold out in hopes I can convince someone to get it for me as a gift for Christmas. But if I end up buying it now, Paul, it's your fault!
(Question, though: my copies of "Lidt endnu"--legally bought--came with Marco Borsato [a Dutch singer] marked as the artist; it's obviously not him singing, but I'm curious as to if this is just a case of completely mistaken labeling or if he composed the song, or if it's a cover? For some reason, it seems like, given the documentary's topic, they would've wanted to choose some "real" song to release in association with it, and I'm guessing that why it's so different in sound, but I would've expected it to be written by Jon as well. Not that I have anything wrong with it if it is written by someone else, but that's just sort of the "image" I get from what I know of the movie.)
Edit: while I'm writing about artists other blogs have introduced me to, I might as well include a video Robpop showed me once: the music video for Jon's cover of "Popstar."
Tuesday, July 10, 2007
You gave your heart, you gave your soul, you gave me ultimate control; it's not enough, girl


There are multiple versions of Infernal's album From Paris To Berlin, but you can buy some versions here (physical) or here (digital).
Next up: maybe a Swedish duo or American singer.
Sunday, May 06, 2007
When the solid ground is shaking

Hurry Up Live--this song is in a style of music never likely to cause explosions of excitement in most pop-loving places but one that I absolutely adore. I've been craving "boy pop" lately and, though Enrique Iglesias's new song helped with that (as have some singers on other blogs--more on that in a moment), Jon's second album perfectly fulfills that requirement. In this case, "boy pop" may be a bit of a misleading term--don't picture a singer who sounds like an actual boy (like, say, Corbin Bleu)--but I've not yet come up with a better term. The music has a very rich warm sound to it--you know the whole "slip into your favorite sweater, make a cup of hot chocolate, and curl up in front of the fireplace" concept? Or the idea of comfort food? Well, Today Is A Good Day (To Fall In Love) (yes, cheesy title, I know) is exactly like that in music form. Don't let that make you think it's all whispery or ballad-y, though--it's uplifting in a non-aggressive way. Comfortable and comforting and never saccharine or treacly--it's far too warm to come off as sugary. The dark chocolate of the music world.
You can buy Jon's second album, Today Is A Good Day (To Fall In Love), go here (physical) or visit iTunes, where you'll have to search for song names or the album title--the album won't come up if you search for "Jon." For example, it can be found on the U.S. iTunes here. I very much recommend picking up at least some of the songs on it--in particular, his cover of Sita's "Popstar" (I love the added verse), "Why Can't This Be Love," and "Who U Gonna Run To"--I could probably go on, but those are good songs to start with.

Next up: possibly Espen Lind, but I'm not sure if I'm ready yet.
Monday, April 23, 2007
But the vision of your face will haunt me every day

As for the song itself, people may remember the Jon vs. Musikk remix of Jon's song "Every Girl I've Ever Wanted," one of my favorite "songs of summer" in 2006; I posted it back in July, I think. However, credit really must go to Don't Stop The Pop for featuring Jon back in its Danish special--I've been hooked ever since then. I was messing around the other day when I noticed what seems to be a documentary about Jon and his rise to fame has been recently released (or will be soon--I need to learn Danish--it seems to be getting really good reviews, though)...and poor Jon--it doesn't look very happy. Even the promotional image for this single (Jon's in the middle) doesn't have him looking very happy! Which sort of fits with the song, I suppose, and with the billing (via the documentary) of him as "Denmark's most controversial man" (at least, I think that's what it says; it could be talking about the director for all I can tell). Anyhow, Jon was on the show Popstars and is now on his second album, which he's been releasing songs off of for quite some time; in fact, even the current single is from it, though I think the emphasis may be going to a new remix of it--which is the song I'm posting. The remix, as mentioned, reunites Jon with the two guys of dance and remix group Musikk.
Falling--as mentioned, the audio quality here is subpar, and I apologize for that. The original version of this song is a simple ballad, which you'd probably be able to guess from the remix. While the Jon vs Musikk version of "Every Girl I've Ever Wanted" took the original and made it even more upbeat and very beach-worthy, their reworking of "Falling" keeps the emotion of the original; in fact, I'd say it plays up the emotion even more, making it even sadder despite placing it over more danceable beats. While the original is more down-tempo, it takes the subject of the song--best summed up through "I only want you to be falling for me as I'm falling for you"--almost as a fact, or maybe...hmm...I guess the original is like something in movies, where the boy serenades the girl and you just know they're going to end up together, even though the song itself isn't necessarily brimming with confidence; there's a quiet strength to it. In contrast, though this remix has peaks with more hope, the very fact that there has to be hope means that it's no sure thing that the subject will fall for him. The vocals have either been slowed down or just seem slower when juxtaposed with the faster beats underneath them, but either way the sense of longing is emphasized. For all this rambling, though, it's a very simple song, which makes its appeal all that much stronger.
As I've said, I know of no place you can buy this song, either as a real physical single or digital version, but if someone knows where you can, please let me know.
Next up: possibly something Swedish.
(Edit: ooo! IMDb, which of course could be completely wrong, says that the documentary, Solo, is going to be released in Australia this September--if that's true, then there must be going to be an English version, right? If so--or even if I know there's a version with English subtitles--I'm going to track it down, if it comes out on DVD--the film looks really interesting, even if you don't know or care about Jon in particular. Given my interest in contestants off of reality TV singing shows, I think it'd be an especially good watch.)
Sunday, July 16, 2006
Here I go, just me and the radio

All I Want is More--no, Shannon, we do not want more. This song will probably be enough for today. Maybe I'm being unfair; I've only been listening to his music for a day, so perhaps if I listened to it some more it would grow on me. I was a little put off by the song opening up on the word "and"--did I miss the song's beginning? What happened? Shannon's voice has a little bit of a rough edge to it, and the guitars are somewhat stronger than they were on yesterday's song. This is the sort of song designed to either be played while driving fast down the highway, or maybe be playing during a movie wherein said fast driving is occurring. It's probably more rock than pop, but it's still worth a look if you like your guitars but don't really care about credibility.
To buy Shannon Noll's first album, That's What I'm Talking About, or second album, Lift, you can go here.
Instead of spending lots of time on Shannon, let's look at some other sites featuring songs by Idol finalists.
Popsound, though written in Dutch, is featuring (South African) Idols finalist David Fourie. The song's in Afrikaans, but it's really good; nice and bouncy, with a little bit of guitar, but lots of good electronic effects.
Into the Groove has a gorgeous mid-tempo song by an Idols finalist from Holland, Jim Bakkum.
As mentioned earlier, Tip Tip Pop recently featured Christina Christian and a nice Latin-y song.
Finally, because I can't wholeheartedly endorse today's Idol contestant, here's a song I'm currently adoring.
Every Girl I've Wanted--Don't Stop the Pop introduced me to Jon, who was on a non-Idol TV singing competition in Denmark. This is the Jon vs. Musikk version of Jon's single "Every Girl I've Wanted," and it's perfect summery dance goodness. At some point while listening to this song, the thought crossed my mind that one could make a comparison between it and O-Town's "Liquid Dreams," because both compare the traits of the girl they love to the traits of celebrities. But really, the two songs aren't anything alike; for one, Jon doesn't sound creepy about it. For another, this song has handclaps, swirling background electronic effects, and maybe a hint of sort of "ethnic" flair (Latin?). Just try to listen to it without smiling.
To buy Jon's first album, This Side Up; second album, Today Is A Good Day (To Fall In Love); or any remixes, you can go here (physical format) or here (digital format).
Next up: not pop-rock! Onto the second season of Australian Idol.
(Apologies to Shannon Noll if I was overly harsh...it just took forever to upload his song.)
shannon noll australian idol jon
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