You can't take this feeling away

Straight from the "destined to be adored by a small group of people on the Internet and no more" files: the solo career of Britt Love, formerly one-half of Mini Viva.

Can't Stop Loving You (Clip) by litendark

The British duo may have been dropped and disbanded, but Britt provides an indirect way of getting way of getting your Xenomania-Mini Viva fix. She's been working with production unit Youth Kills. Included in that trio is Tim Talbot, who at one point was playing keyboards for an in-development Xenomania act.

Tim also used to be part of Lite N Dark, the duo which originally put out "Can't Stop Loving You." Britt's version is a a big step up, though, all swooshing, hands-in-the-air dance beats and vocals several steps above your average random dance song session vocalist.

The good news--well, the good news besides the fact that Britt seems poised to continue making great music--is that she's probably no longer carrying top ten expectations. With more independent backing, she's free to worry less about just making music for that "small group" and more about keeping all of her music as exciting as "Can't Stop Loving You."

There's nowhere yet to buy Britt Love's music, but you can purchase Mini Viva's excellent run of singles here (physical) or just "Left My Heart In Tokyo" here (digital).

Must be something in the water

I'm not much of a lying around the pool in the middle of summer kind of girl--give me a book and some shade, thank you very much--but a weeklong early summer vacation in a humid southern state kind of demands it. The songs that fell into frequent rotation for me this year during my "would have been more deserved any time from February to April but by this point was basically just a change in location, not leisure time" vacation (it's heavy on songs I added just before taking off and losing computer access):

Kelly Rowland, "Commander" (the song of summer, and don't pretend it's anything else)

3OH!3 feat. Kesha, "My First Kiss" (does this mean I'm giving in?)

Sean Kingston & Justin Bieber, "Eenie Meanie" (my "maybe the kids are all right" moment with today's teen pop, it's enough bubblegum fun to outweigh the awful "catch a bad chick by her toe" part)

Alexandra Burke, "All Night Long" (the only thing wrong with this song is that the best part is the backing "all night, all night, all night night night night" part, not the actual chorus melody. Other than that, it's just the sort of fun, lighthearted party song the summer demands)

Alphabeat, "DJ" (what's clearly the best song from their most recent album finally gets a single release)

Kesha, "Bootycall" (another Kesha leak/demo, this one could stand with the first few opening and final seconds getting cut, but the '80s candyfloss joy of the chorus and its overproduced '80s drums makes up for it)

Enrique Iglesias feat. Pitbull, "I Like It" (long live Enrique, even if the cynical side of me is unconvinced about staying power here. Plus, well, how can you begrudge him working with RedOne when he's the creator of what's obviously the best "RedOne + artist" tag ever in "Takin' Back My Love"?)

Baby Alice, "Piña Colada Boy" (gimmicky summer fun)

Aggro Santos feat. Kimberly Wyatt, "Candy" (the best thing about this dance-rap song is that the worst lyrics in it--heck, probably the worst lyrics all year--are the catchiest part, delivered in a staccato style so they're as easy to understand as possible, and transcend over into brilliantly awful: "girl. you. look. familiar. Where. do. I know. you. from?/Have. you. been. to. visit. me. at. AggroSantos.com?")

Taio Cruz feat. Ludacris, "Break Your Heart" (one of my favorite pop songs of 2009, so who would have thought the insertion of a couple of Ludacris raps into it could possibly make me love it even more? The best thing Ludacris has done since Usher's "Yeah!", and we all know how amazing that was)

Rogue Traders, "Would You Raise Your Hands?" (back on track after the misfire of "Love Is A War," the Australian dance-rock team delivers a song that never fails to make me pick up the jogging pace)

Katy Perry feat. Snoop Dogg, "California Gurls" (lightweight, but begging for successive summer plays...and do you know what? There's no point resisting)

Kids Of 88, "Just A Little Bit" (avoiding watching the video, loving this snappy electro-pop song from a two guy New Zealand act)

Jason Derulo, "Love Hangover" (broke down and bought his album just before leaving. It's not a must-own, but why is this not the next single instead of "Ridin' Solo"?)

Scissor Sisters, "Fire With Fire" (confession: the only Scissor Sisters song I've ever really enjoyed before this album campaign was "Paul McCartney." Maybe it's due to Jake is using his voice differently that this particular door opened up, but it's the joyous uplift of the Elton John-meets-the-Killers'-"Human"-but-better of the song itself that sealed the deal)

Mini Viva, "One Touch" (most thrilling Xenomania song since, what, at least "Miss You Bow Wow"? It's the attitude-filled fresh female sound that caused us all to fall in love with Girls Aloud)

Play, "Consequence Of You" (haven't really listened to the Swedish girl group's album, but there's no way there can be anything better than this song on it)

Throw in some random holdovers from spring--Matisse's "Better Than Her," Young Money's "BedRock" (cheesy puns are my weakness; see also: above picture), Lady GaGa's "Alejandro," Kesha's "Your Love Is My Drug," Gabriella Cilmi's "Superhot," etc.--and a few other songs--Dolly Rockers' "Automatic Girl," Taio's "Dynamite"--you've got the new additions. There's a whole summer playlist that gets rolled out, of course, but those standbys will have to compete with some great new songs from the past week or so. In fact, hmm, give me a few minutes...

(By the way, Crystal Bowersox and American Idol, you couldn't have had your hometown visit one week earlier or one week later? Really? It had to be during my previously scheduled and unmovable week away?)

With even the alphabet she only sings the crooked letters

What have I been playing over the last few months (a.k.a. trying to do some degree of catching up) that I haven't mentioned here yet?

David Guetta feat. Akon, "Sexy Bitch": "When Love Takes Over" is great. "Sexy Bitch" is even better. Speaks straight to the hips better than any song this year so far.

Pitbull, "Hotel Room Service": Pitbull should be mad at Guetta for taking that title from "I Know You Want Me (Calle Ocho)," but he's probably too busy celebrating making a song as great (albeit filthy) as this one. American (in the broadest sense of the word) rap sampling O-Zone one minute, Eiffel 65 the next, and now Nightcrawlers? Who'd have guessed?

Three 6 Mafia feat. Kalenna and Pitbull, "Shake My": speaking of urban club-rap, "Shake My" is a killer. Kalenna and Pitbull's parts may both outshine the main act's--especially that of Kalenna, whose choruses here get me just as excited as Keri Hilson's contribution in "The Way I Are"--but when they make up the majority of the song and are this good, that barely matters. Darkchild is on a roll at the moment.

Mini Viva, "Bedroom Viber": I've been in love with the demo clip on the Xenomania-produced duo's MySpace for months; finally getting the full track, free and legally no less, couldn't have been a more welcome surprise. I like "Left My Heart In Tokyo," but it's songs like this one that have me hoping Xenomania have a new act to channel capable of making songs with the fun and excitement of earlier to mid-period Girls Aloud.

Taio Cruz, "Break Your Heart": my favorite Taio single yet sounds like all the best elements of his earlier element in one song. Catchy as anything.

Fibes, Oh Fibes feat. Kim Wilde, "Run To You": a recent addition to the list, courtesy of Don't Stop The Pop, "Run To You" is '80's in a gentle pop-rock way that sounds refreshingly different from most current '80s-influenced songs. It plus "Love Child" mean that the Swedish group's third album, 1987, released September 2, can't get here soon enough.

Example, "Watch The Sun Come Up": transporting pop-rap positioning itself as a brief glimpse into the sentimental underbelly of a narrator prone to posturing. The Fred Falke mix is DIVINE.

Lorentz & M.Sakarias, "Baby!": older, but I haven't mentioned it yet here, despite loving it. Über-cute, shiny production from FutureCut on this Swedish language rap song has made it one of the songs I easily return to when I can't quite choose what to play.

Jordin Sparks, "S.O.S. (Let The Music Play)": the second single from a good album which I haven't given full attention to recently--but this song, along with the much-anticipated "Walking On Snow," have no problem winning my attention.

Bananarama, "Love Comes": the British duo delivers with their latest single, electro-disco full of sounds that slice through the air. Another album I can't wait to hear.

The Sound Of Arrows, "Into The Clouds": cosmic Swedish pop. Am I allowed to use the word "transporting" twice in one post?

Filthy Dukes feat. Tommy Sparks, "Messages": did this actually end up being a single? If not, it should have been--this #1 Hits-featured single has the spiky electro influences you might expect from the Filthy Dukes, but it's got pop crossover written all over it via that chorus. And the verses. And those breakdown bleeps.

Jessie James, "Bullet": country-tinged pop that is so much more fun than the song it was replaced by as the second single.

Visitor, "Los Feeling": gorgeous, full of synth washes, beeps, and pumps, but with energy to it--a pulse.

Boys Like Girls, "Love Drunk": the American pop-rock group finally delivers on a level hinted at by "The Great Escape" but one which I never really expected them to reach. It's the single I wanted the All-American Rejects to release.

Written about before but also featuring heavily were the Black Eyed Peas' "I Gotta Feeling," Gathania's "Get It Out," Kate Ryan's "Your Eyes," Booty Luv's "Say It," Cobra Starship feat. Leighton Meester's "Good Girls Go Bad,"and, to a lesser extent, Anders Fernette/Johansson's "Hungry Eyes" (and probably some others).

Maybe worthy of a quick mention, though the jury's still out on some of them:
Chipmunk's "Oopsie Daisy" (who is that female vocalist?)
Heidi Montag's "Body Language" (she finally gets around to releasing her best song)
Natalie Imbruglia, "Want" (it never climaxes for me, so I'm not fully onboard yet)
Alexandra feat. Flo Rida, "Bad Boys" (pop fun)
Anna Abreu, "Music Everywhere" (good pop chorus that's better than anything she's done since "Ivory Tower," but still not as fully excellent as I want this Finnish Idol contestant's material to be)
Linda Teodosiu, "Reprogram My Heart"
Alphabeat, "The Spell"
Rob Thomas, "Give Me The Meltdown" (my favorite song from him since "Lonely No More" and "This Is How A Heart Breaks," it's catchy pop-rock that should be his next single)
Mika, "We Are Golden" (worried about this new album, which I don't want to be considering how much I loved his first, but there's a great chorus to this lead single)
Blake Lewis, "Sad Song" (I always think it's good but haven't played it much so far--bad sign?)
Backstreet Boys, "Straight Through My Heart" (more generic and less exciting than I'd hoped, but I nearly swerved into another lane while stopping someone from changing the station when it came on the radio. ACTUAL AMERICAN RADIO playing the latest Backstreet Boys single. Probably a one-off, but still.)
Colbie Caillat, "Fallin' For You" (oh no. "Bubbly" was one of those songs I complained about and avoided at all costs, but I really like this sweet singer-songwritery song)
Trey Songz, "I Need A Girl" (months old, but this sweet R&B-pop song has won me over)
Shakira, "She Wolf" (I don't love it like I want to yet, but I'm excited for the album)
Jade Ewen, "Punching Out"
Leona Lewis, "Strangers"
Sugababes, "Get Sexy"

There are some other recent singles--the new ones from Swedish artists like Martin Stenmarck, Nanne, Sandra Dahlberg, Andreas Johnson, Rongedal, and the like--that I can't really judge yet.