With even the alphabet she only sings the crooked letters

What have I been playing over the last few months (a.k.a. trying to do some degree of catching up) that I haven't mentioned here yet?

David Guetta feat. Akon, "Sexy Bitch": "When Love Takes Over" is great. "Sexy Bitch" is even better. Speaks straight to the hips better than any song this year so far.

Pitbull, "Hotel Room Service": Pitbull should be mad at Guetta for taking that title from "I Know You Want Me (Calle Ocho)," but he's probably too busy celebrating making a song as great (albeit filthy) as this one. American (in the broadest sense of the word) rap sampling O-Zone one minute, Eiffel 65 the next, and now Nightcrawlers? Who'd have guessed?

Three 6 Mafia feat. Kalenna and Pitbull, "Shake My": speaking of urban club-rap, "Shake My" is a killer. Kalenna and Pitbull's parts may both outshine the main act's--especially that of Kalenna, whose choruses here get me just as excited as Keri Hilson's contribution in "The Way I Are"--but when they make up the majority of the song and are this good, that barely matters. Darkchild is on a roll at the moment.

Mini Viva, "Bedroom Viber": I've been in love with the demo clip on the Xenomania-produced duo's MySpace for months; finally getting the full track, free and legally no less, couldn't have been a more welcome surprise. I like "Left My Heart In Tokyo," but it's songs like this one that have me hoping Xenomania have a new act to channel capable of making songs with the fun and excitement of earlier to mid-period Girls Aloud.

Taio Cruz, "Break Your Heart": my favorite Taio single yet sounds like all the best elements of his earlier element in one song. Catchy as anything.

Fibes, Oh Fibes feat. Kim Wilde, "Run To You": a recent addition to the list, courtesy of Don't Stop The Pop, "Run To You" is '80's in a gentle pop-rock way that sounds refreshingly different from most current '80s-influenced songs. It plus "Love Child" mean that the Swedish group's third album, 1987, released September 2, can't get here soon enough.

Example, "Watch The Sun Come Up": transporting pop-rap positioning itself as a brief glimpse into the sentimental underbelly of a narrator prone to posturing. The Fred Falke mix is DIVINE.

Lorentz & M.Sakarias, "Baby!": older, but I haven't mentioned it yet here, despite loving it. Über-cute, shiny production from FutureCut on this Swedish language rap song has made it one of the songs I easily return to when I can't quite choose what to play.

Jordin Sparks, "S.O.S. (Let The Music Play)": the second single from a good album which I haven't given full attention to recently--but this song, along with the much-anticipated "Walking On Snow," have no problem winning my attention.

Bananarama, "Love Comes": the British duo delivers with their latest single, electro-disco full of sounds that slice through the air. Another album I can't wait to hear.

The Sound Of Arrows, "Into The Clouds": cosmic Swedish pop. Am I allowed to use the word "transporting" twice in one post?

Filthy Dukes feat. Tommy Sparks, "Messages": did this actually end up being a single? If not, it should have been--this #1 Hits-featured single has the spiky electro influences you might expect from the Filthy Dukes, but it's got pop crossover written all over it via that chorus. And the verses. And those breakdown bleeps.

Jessie James, "Bullet": country-tinged pop that is so much more fun than the song it was replaced by as the second single.

Visitor, "Los Feeling": gorgeous, full of synth washes, beeps, and pumps, but with energy to it--a pulse.

Boys Like Girls, "Love Drunk": the American pop-rock group finally delivers on a level hinted at by "The Great Escape" but one which I never really expected them to reach. It's the single I wanted the All-American Rejects to release.

Written about before but also featuring heavily were the Black Eyed Peas' "I Gotta Feeling," Gathania's "Get It Out," Kate Ryan's "Your Eyes," Booty Luv's "Say It," Cobra Starship feat. Leighton Meester's "Good Girls Go Bad,"and, to a lesser extent, Anders Fernette/Johansson's "Hungry Eyes" (and probably some others).

Maybe worthy of a quick mention, though the jury's still out on some of them:
Chipmunk's "Oopsie Daisy" (who is that female vocalist?)
Heidi Montag's "Body Language" (she finally gets around to releasing her best song)
Natalie Imbruglia, "Want" (it never climaxes for me, so I'm not fully onboard yet)
Alexandra feat. Flo Rida, "Bad Boys" (pop fun)
Anna Abreu, "Music Everywhere" (good pop chorus that's better than anything she's done since "Ivory Tower," but still not as fully excellent as I want this Finnish Idol contestant's material to be)
Linda Teodosiu, "Reprogram My Heart"
Alphabeat, "The Spell"
Rob Thomas, "Give Me The Meltdown" (my favorite song from him since "Lonely No More" and "This Is How A Heart Breaks," it's catchy pop-rock that should be his next single)
Mika, "We Are Golden" (worried about this new album, which I don't want to be considering how much I loved his first, but there's a great chorus to this lead single)
Blake Lewis, "Sad Song" (I always think it's good but haven't played it much so far--bad sign?)
Backstreet Boys, "Straight Through My Heart" (more generic and less exciting than I'd hoped, but I nearly swerved into another lane while stopping someone from changing the station when it came on the radio. ACTUAL AMERICAN RADIO playing the latest Backstreet Boys single. Probably a one-off, but still.)
Colbie Caillat, "Fallin' For You" (oh no. "Bubbly" was one of those songs I complained about and avoided at all costs, but I really like this sweet singer-songwritery song)
Trey Songz, "I Need A Girl" (months old, but this sweet R&B-pop song has won me over)
Shakira, "She Wolf" (I don't love it like I want to yet, but I'm excited for the album)
Jade Ewen, "Punching Out"
Leona Lewis, "Strangers"
Sugababes, "Get Sexy"

There are some other recent singles--the new ones from Swedish artists like Martin Stenmarck, Nanne, Sandra Dahlberg, Andreas Johnson, Rongedal, and the like--that I can't really judge yet.

Nobody else will do

Bananarama - Your Love Is Like A Drug

This is so great. To be fair, the first twenty seconds or so, with their dance-electro-pop blips and building swooshes, leave you thinking it's got potential, but will it live up to it? Luckily, it's just then we reach the no-nonsense bridge, the first hint that the song's creators aren't content to simply toss off any old melody with a dancefloor patina glossed over the top to cover up for the lack of actual, you know, good musical ideas (though the production is certainly fantastic). It's still building up to the big delivery, though--but is that big delivery actually the dissolved-into smooth-as-silk chorus or the punchier chopped-up vocals and electronic piano-a-like beats that follow it up? The combo, really, in all likelihood.

Don't get me wrong--there's nothing revolutionary here. To go with the work of a modern counterpart, there's no fizzy champagne bubbles-plus-drum-progression like "Some Girls" has, no pure undiluted fun, Amii Stewart-mimicking modern electro-disco beat a la "I Said Never Again (But Here We Are)" constantly pushing the song forward, but "Your Love Is Like A Drug" comes more from the slick side of dancefloor pop anyway, the side of that smooth groove, commercial club--and as far as that school goes, "Your Love Is Like A Drug" has all the needed elements so perfectly in place that you can't help but enjoy the ride.

To buy Bananarama's 2005 album Drama, go here (physical) or here (digital).

Next up: maybe Americans and demos, or something else American.

Every time you leave me wanting more

Things I'm enjoying at the moment:

Annie's "Bad Times." I've been waiting with anticipation for this album just for this song alone. Well, that's not quite right--I've been hoping there would be other great songs too, but it's never a sure thing with me and Annie: sometimes that voice of hers--yes, I know it's beyond cliché to mention this now, but it's still true--is just too slight for me. Luckily, "Bad Times" is a song where that either doesn't matter or her voice works; right now I'd lean towards the latter. "Divine" is the word I used for the preview, and it's the word I'd use now--my favorite song ever from her, I think. Luscious.

Seal's "The Right Life." Not exactly a new development, since the non-US/UK radioplay of this song had alerted me to how much I enjoyed it months ago, but "The Right Life" has been receiving significant play from me recently. I've been waking up early recently, and there's something about wandering down to the basement kitchen, with almost all the lights in the halls and rooms off, that suits this song perfectly, if you're in that kind of pretend-pensive mood. Now, if only I had a lake to look out over.

P!nk's "So What." P!nk's just on a roll with these past few singles, isn't she? And actually, when I tried to describe "So What" to someone, I ended up using both "Who Knew" and "U + Ur Hand" as reference points--some of the attitude and music of "U + Ur Hand" but with a chorus that, in sound and structure and soul, reminded me more of "Who Knew"--because, despite all her best attempts at schoolyard taunting, it's a song that's obviously not purely triumphant, not really fine after this breakup. True fact: "Who Knew" is the song in the world that probably draws the strongest emotional reaction from me, so I'm glad to see P!nk using her voice and her musical style for something with both more musical and emotional substance than "Stupid Girls." Perfect combo.

Eric Prydz, "Pjanoo." Catchy instrumental dance.

The chorus of Lady GaGa's "Poker Face." Love "Just Dance" (with the exception of one section), album's not thrilling. Actually, the song works pretty well overall, but it's the chorus that really sells it.

Sonny Jim's "Can't Stop Movin'." Yes, I've had this for ages, but lovely summer weather has brought about another round of intense playing of it.

Actually hearing September's "Cry For You" on real, non-dance U.S. radio! Love. I think I've screamed louder each time I've heard it.

Actually hearing Van She in the United States--multiple times! Admittedly while out shopping and not on the radio, but hey, I'll take it. Need to buy that album...

David Archuleta's "Crush." So totally getting its own post at some point, but will it surprise anyone that I love it?

CC Martini, "Double Dutch." Not new. Still adore it, thanks to Mike.

Cyndi Lauper, "Into The Nightlife." Also not new (nor is my love for it), but I'm still loving this.

Keri Hilson, "Energy." Another not new song that I've long loved but have never, I think, mentioned on here. It keeps getting compared to "No Air"--for my money, it's better.

The Saturdays, "Up!" Girl group pop. Not yet in the brilliant category or anything, but I like it. When can we finally get Red Blooded Women's "Colour Me Dirty"?

Bananarama, "Your Love Is Like A Drug." Also not new, but that doesn't make it any less fantastic. May also inspire its own post.

Things that aren't necessarily in the full-on "love" zone yet but are maybe worth a mention:

John Legend's "Green Light." I don't know that this is a song that'll ever get much play from me itself, but boy, does it feel like it would suit its purpose--and I like in that context.

Andermay's "Uh Oh Oh Oh" (in English or Spanish). Cute! Not as good as "Entre tú y yo," but then, not much in the world is.

Agnes's "On And On." I'm kind of surprised I don't feel compelled to put this in that first category, but I'm not entirely sold on the title line in the song itself musically. Could possibly be a big favorite in time, and it's a great direction for a singer I'm glad to have back. Speaking of Idol contestants and their new direction, Anna Abreu of my much-loved "Ivory Tower" and "End Of Love" is back with the pop-dance song "Vinegar." I admire the ambition and enjoy the song (I think), but it's not quite "international-quality" for me yet.

Things I'm not enjoying:

The latest McFly album. It's not that it's awful--it's just that I've not listened to it in full yet. What a change from the days of yore, eh? They've just failed to capture my attention with the music so far.

Things I know of but am not commenting on/can't common on:

South Africa's most recent Idol winner Jody Williams just released her debut album. I'm most interested in the seeming "Don't Stop The Music"-inspired "Wind It" from the clips.

Magnus Carlsson released a cover of "I Was Born This Way."

David Tavaré finally released his debut album. More on this later (though that doesn't mean you all need to listen to it).