In a slight comfort to those of us counting down the days until Melodifestivalen, Norway held the first semifinal of its national selection for Eurovision, the Melodi Grand Prix, recently. Some familiar names took place, including 2008's MGP winner Maria Haukaas Storeng, Eurovision fan favorite Lene Alexander, and long ago Idol contestant Gaute Ormåsen (as well as the less well-known but still recognizable to international pop fans Elisabeth Carew of several pleasant contemporary R&B-pop songs). Songs by Maria and Keep of the Castle, a hard rock group whose entry is nowhere near as good as Wig Wam's "In My Dreams," qualified directly to the final, but it's one of entrants that only made it to the second chance round that I've had spinning around in my head.
Like Gaute, Bjørn Johan Muri took second in a season of Idol, though in the more recent year of 2007, but of more interest to me than the pedigree of the singer is that of the song. "Yes Man," a gentle singer-songwritery song, a little like a Eurovision version of Owl City or Coldplay, is co-written by Simen Eriksrud and Simone Larsen. Simone is the German-born but longtime Norway-residing lead singer of D'sound, a band with a laidback pop sound that too often approaches jazz or chill too closely for me to honestly say I adore them. Still, they've had their moments over the years, and when they steer themselves towards what I tend to think of as a "Norwegian" singer-songwriter sound, they can make lovely little songs. Take, as an example, their 2003 single "Do I Need A Reason," taken from the only album of theirs I own in full, Doublehearted.
D'sound's singles from this year may not have made an impression on the Norwegian charts, but Simone is hardly hurting for success: she's behind the melody of Donkeyboy's "Ambitions," probably the biggest hit of 2009 in her adopted home country. Likewise, Simen Eriksrud co-wrote that song and many of the others on Donkeyboy's debut album. If you've somehow missed it thus far, I beg you to listen to "Ambitions," a completely enchanting debut single, now.
"Yes Man" isn't a song that seems like a good match for the Eurovision context, nor is it as good as "Ambitions" (even if "Ambitions" has its share of less than great lines, the end result is, through one of those miracles of pop magic, lyrics that end up with a feeling of complexity and emotion, whereas those of "Yes Man" don't tug on you in quite the same way; also, the vocals here really have nothing on the Donkeyboy boys and Linnea Dale on "Ambitions") but its delicate, pretty melody and production style is one I'm far from tired of hearing. I'd say hopefully it finds commercial success in Norway, but signs are good that so far that's already occurring: it's currently topping the iTunes chart there, beating out both of the songs that qualified ahead of it.
Showing posts with label Elisabeth Carew. Show all posts
Showing posts with label Elisabeth Carew. Show all posts
Tuesday, January 12, 2010
Wednesday, May 13, 2009
If somebody's going to make it, then the somebody oughta be you
As KulPop wrote about earlier, a-ha have a new single, "Foot Of The Mountain," out. If you like Norwegian pop-rock groups not afraid to incorporate electronic elements and '80s influences into their periodically soaring songs, though, you might also want to check out DonkeyBoy and Nixon.
I wrote about Nixon's "Tiffany" several times last year and I've yet to hear anything from the group that rivals that perfect debut single. The lead single for their new album, "Fireflies" (listen on MySpace, buy on iTunes internationally), doesn't change that and doesn't use those electronic elements quite as much as I'd like, doesn't ever fully take off--or maybe it flirts with soaring at the expense of a grounded melody. It's good, though.
Shortly after writing about Nixon for the first time last year, Chris recommended DonkeyBoy, a less-than-ideally-named fellow Norwegian group, and their song "Broke My Eyes," which I don't think I wrote about but should have. It's taken DonkeyBoy a year since then to get out their debut single, but it was worth the wait. I'm not sure how, but "Ambitions" (listen on MySpace, buy digitally internationally here) that single, has taken off on Norwegian iTunes. I meant to recommend it ages ago, but kept not having the time. Luckily, though, as usual, Nick of #1 Hits doesn't let anythig slip through the cracks and featured it. "Ambitions" is a bit less pop-rock, a bit more electro, and features distinctive, often higher vocals, but most importantly, a great mid-tempo '80s-touched melody. If you only check out one of these two songs, make it this one.
On a not at all related note, Norwegian pop-R&B singer Elisabeth Carew, who you might remember from her American-sounding "Destructive" from last year, finally has another single out. It's called "Even If The Rain" (listen to a clip on MySpace) and, though not revolutionary, has a nice electro-pulse backing and sweet mid-tempo pop&B melody. It's available on iTunes internationally, along with b-side "Thunder."


On a not at all related note, Norwegian pop-R&B singer Elisabeth Carew, who you might remember from her American-sounding "Destructive" from last year, finally has another single out. It's called "Even If The Rain" (listen to a clip on MySpace) and, though not revolutionary, has a nice electro-pulse backing and sweet mid-tempo pop&B melody. It's available on iTunes internationally, along with b-side "Thunder."
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