Try to deny what you're feeling and you know that your heart will say no

Having slightly calmed down after last night, I'm going to attempt to write something more than "AMAZING!!!!" over and over again (though really, that's what I still want to do).

10 things I loved about Linda's and Charlotte's performances last night (I had to choose some arbitrary number or else it would basically end up as a second-by-second list of what they did), in no particularly order:

1.) the aforementioned pause and look right before Linda's key change--that determined, hah-I'm-going-to-nail-this-and-prove-that-I-can moment

2.) Linda beaming and looking like she's going to bounce right out of her skin after the key change--she radiated confidence throughout the performance and now really has this incredible energy and presence on stage (I know it's a cliché, but she's grown so much as a performer), but she was obviously hugely relieved and happy she pulled it off

3.) Charlotte's opening pose and mic grab--iconic

4.) Linda's little head-cocked-back strut during the first chorus (right before the first "se mig" section)

5.) The leaning and swirling camera bit in Charlotte's performance

6.) The three-part group hand point right before Charlotte's key change (LOVE this way too much! Possibly my favorite moment of the night)

7.) Charlotte's soaring vocals overtop those of the backing vocalists singing the chorus during the key change (you know how I mentioned in one of my year end round up entries a song that had the one moment in music in 2007 that most stuck with me, that just thinking about could get me excited about the whole concept of music? I think I've found my moment for 2008)

8.) Linda's "hah"(s) (not new, but I've always loved them)

9.) Charlotte's reaching-towards-the-audience hand gestures in the second chorus, with the wind machine on

10.) Linda's styling and outfit

Also, I'd like to add that I think Linda's dancers worked fabulously and that someone needs to upload Linda's post-qualifying performance to DailyMotion--she was just so excited that it made the performance even more fun to watch. Oh, and the fact that I loved all the group strutting in Charlotte's performance is a given.

Moving onto the other contestants, I was genuinely surprised when Sibel's song ended--"that's it?" I'm not trying to be snarky or anything, but I hadn't really even realized we'd had a chorus, let alone a climax--I couldn't believe the song was over. I'm not sure whether that's a function of the song itself (which from the previews sounded great, but maybe it didn't have a chorus that stood out enough) or Sibel singing the whole thing so dramatically that it was kind of flat in a way--nothing "popped" like it should have. I'm not saying that she or the song was bad by any stretch, or that they didn't deserve to go to Andra Chansen (Sibel sang very well and I adored the "You and I belong together/We share a hidden past/And nothing more than your forever/And mine is what I ask" lines)--but I am saying she didn't deserve to go straight to the finals instead of either of the two songs that qualified.

I was kind of surprised to read the negative reactions to Daniel Mitsogiannis online after the fact. I definitely love the song, but I'd go further than that: for a young Melodifestivalen debutante to have to do that much complicated dancing (all these leg movements and hip wiggles and twists) and still manage to pull off singing an uptempo song impressed me. In the hands of many other young performers, that could have been a total unequivocal crash-and-burn scenario, but I didn't feel like it was at all for him (though I'm not saying it rivaled the night's top performances!). Apparently Sweden (and online fans) disagreed, though, and he ended up taking seventh, although that could partly be down to schlager and dance-pop fans who might otherwise have voted for him focusing their efforts on Charlotte and Linda.

I'm not complaining, though--getting Charlotte and Linda straight to the finals is a dream result that makes for a fantastic-looking final, only marred for me by Christer Sjögren. The second chance round, taking place this next weekend, has the potential to make it even better; two acts will be chosen to make it to the final.



Stealing Wikipedia's chart thing (though it looks small and blurry here--sorry about that! If you click on the picture you can see the full size version), I think the toughest matchup in this knockout format for me is Ola versus Caracola--I love both acts' songs. I think ultimately I'd like Ola to win this matchup; however, I'd prefer Ola or Caracola to either of the acts in the top bracket, where of the two Sibel is my preference. If Sibel ended up making it to the final, I wouldn't be too upset, but I'd definitely prefer it if Ola or Caracola did.

In terms of the bottom half of the lineup, my favorites are Carola/Andreas Johnson and Thérèse Andersson; put head-to-head, I'm not sure yet who I'd like to see win, though I might end up going for Carola and Andreas in the end. I haven't heard their song in a while, so it's hard to say. I'd be happy with either, though!

When the clock strikes twelve

Right, I've got no idea what's going on with the Melodifestival clips at the moment, but at the least, you can listen to BWO's and Caracola's.

BWO

Caracola

I'm sure it'll all be sorted out soon, and the other clips must be there too.

Edit: scratch that, it's all fixed now; all the clips are up here. Thoughts (probably) in a bit.

Edit again: yay Patrik Isaksson! I was hoping he'd come through...and from the sounds of that clip, he did. BWO were right that their song isn't "Temple Of Love" part II--it's not a stomper like that song (that's just not the feel it's going for, but I have a feeling that will cause some people to feel let down by it)--and I really get why all the Madonna "Sorry"/"Hung Up" comparisons were coming from, though it reminds me of something else I can't place too. Anyway, I like "Lay Your Love On Me" but oddly don't want to say more at the moment--I want to hear the rest of the song before I decided what level of excitement I'm going to be at about it--is it worth over the top freaking out about or is it "just" a great song (because at the very least it's that)? Frida and Headline's "Upp o. Hoppa" is so summery and fun sounding that I can't help but be won over by it; the review that said you'll want to sing and dance along with it was totally right. It doesn't really sound like a Melodifestival song at all, though, and I'm not expecting it to win a lot of votes on the night (or to win over a lot of fans, for that matter). Caracola's song is also summery and upbeat, though with a completely different feel--highly produced campy girl group pop-schlager--arguably trashy but good. I'm not really a fan of opera (yes, I know I just wrote about liking Fredrik Kempe), but I think I like-to-really-like Thérèse Andersson's song...I'm at least intrigued by it, and could easily end up loving it and seeing it as some sort of "revelation." Ainbusk's clip starts out kind of typical ballad-y, but I really like the last five seconds; I need to hear more of the song to really know my feelings on it. Eskobar's song isn't as "big" as I was hoping or expecting from them, so I'm kind of disappointed so far, but I want to hear more--maybe it gets bigger or punchier later; if it has a great big climax or sounds anthemic live, I could end up getting sucked in by it.

In fact, so far I'd say Mickey Huskic's song is the only one that doesn't leave me at least a little interested to hear more, that I don't have anything positive to say about. Based just on the clips, Eskobar and Ainbusk's entries are above that (significantly and easily) but below the others, I think. Thérèse would be above them, and then I'd have (in no particular order) Patrik, BWO, Caracola, and Frida in my top four. That could easily change, though--Thérèse could challenge those entries, as could the songs on the rung below Therese's song. And really, I can see myself ending up in love with a good number of songs from this heat; trying to rank my top 5 is going to be difficult.

I'm not sure if I just have low standards or what, but from the sounds of it, this'll be another really great semifinal.

Shake your body, the beats keep on pumpin'

Third round of Melodifestivalen this coming weekend! Once again, I'm no expert, so feel free to add things or correct me, and I've not heard any of these songs or even talked to anyone who has--it's really just my attempt at a round-up of information that we all have access to online, as well as some background information for people new to the contest.

Sources: Schlagerprofilerna, Gylleneskor, SVT's official Melodifestivalen site, Wikipedia, Plugged, Caracola Fansite, P4's rundown, QX's rundown, Mera Nöje, Metro, ESC.info.se, and BWO's official site

1.) BWO, "Lay Your Love On Me"
Probably the big guns out of this heat, BWO are a three person group masterminded by Alexander Bard, who's also been involved with groups like Army of Lovers and Alcazar. The other two members are Marina Schiptjenko and lead singer Martin Rolinski, who appeared on a series of Popstars in Sweden. If you've never heard their music, hurry out and buy their debut album Prototype right now--it's packed full of fantastic pop (one of the best pop albums of the '00's, I'd say) and was an incredibly exciting arrival upon the music scene when it came out. Their first Melodifestival entry, 2005's "Gone," is easily one of their weakest tracks, but they more than made up for that in Melodifestivalen 2006 with the pop stomper "Temple Of Love," which was only prevented from winning the contest by the comeback (after fifteen years away from Melodifestivalen) of Carola. If "Lay Your Love On Me" is as good as "Temple Of Love," we should all be getting very excited. The song's writers say it's a dramatic electronic disco track. BWO also say the uptempo track isn't "Temple Of Love" mark 2 and is more melodic than that song; also, they'll be wearing "avantgarde" outfits. Reviews so far of it have been very positive, but (from what I've read) not very specific...hopefully we'll get more news as Saturday approaches. Henrik Wikström, one of the writers, does compare the track to Madonna's "Sorry," though (as did Alexander, along with "Hung Up"), and an Aftonbladet reviewer says that "Lay Your Love On Me" is dramatic electronic pop that perfectly suits Martin's voice, has a fantastic chorus, and is even better than "Temple Of Love." After releasing three albums (excluding their remix album), they'll be releasing a greatest hits, titled Pandemonium, this April; in addition to "Lay Your Love On Me," it'll have two other new songs.

To watch: their performance of "Temple Of Love" at the final of Melodifestivalen 2006--WANT! LOVE! Ohh-ohH-OHh-OHH!



2.) Mickey Huskic, "Izdajice"
Mickey's kind of an unknown factor here, since I don't think he's released any music commercially before (by himself--he is part of a band)...though apparently he's tried to enter Melodifestivalen a bunch of times before. The song's official description says that it's a ballad with Balkan influences, with "Izdajice" meaning "betrayal." It nearly qualified for last year's Melodifestival. There's got to be a cello in it somewhere, since a beauty pageant winner will be playing it for the song. Apparently it could be compared to Bosnia Herzegovina's 2006 entry. Also, the song is all in Bosnian, I think. Mickey's recently signed a deal with Universal and is working on an album.

To watch listen: a montage set to a song of his, "Kazna za sve;" alternatively, you can watch a live performance of the song here



3.) Frida feat. Headline, "Upp o. Hoppa" (Get Up And Jump)
Frida (Muranius, not part of ABBA) had a hit this past spring/summer with "Dunka mig gul och blå," a light singer-songwritery kind of song that played with rhythms a little bit in a way that I guess could be construed as hip-hop influenced...and probably should be interpreted to be, given that Headline is said to rap on "Upp o. Hoppa." In fact, the beginning of the official description for "Upp o Hoppa" could almost apply to Frida's earlier hit: singer-songwriter hiphop with African guitars (here about living life while you can). Then again, "Upp o. Hoppa" is said to be an uptempo track. Schlagerprofilerna says they've heard it's pop-rap that you want to dance to and sing with. As a kind of irrelevant aside, the song was originally announced as being called "Leva livet," but then retitled.

To watch: the video for "Dunka mig gul och blå"



4.) Thérèse Andersson, "When You Need Me"
Thérèse (those accent marks are going to get annoying quickly) is best known to Swedish pop fans as one-third of (I can't even begin to think of what adjective to use to describe Pay TV's we're-too-cool-for-you electro-pop stylings--"snarky" isn't aloof enough) Pay TV. What does her solo participation in Melodifestivalen mean for that group? I have no idea--maybe Robpop does? Her song "When You Need Me" is officially described as a combination of pop, musical, and Celtic influences with a message about daring to love again. Thérèse says when people hear the first verse they'll think "oh, another rock chick," but then when the chorus hits they'll wonder if it's the same song. It's co-written by Evan of "Under Your Spell" from Melodifestivalen 2006, and he describes the song as a mix of Sarah Brightman and Nightwish, adding that it's uptempo, has some guitars, and switches back and forth between genres, with the chorus being pure opera. Gylleneskor compares it to Slovenia's 2007 entry in Eurovision.

To watch: Pay TV's performance of "Refrain Refrain" at Melodifestivalen 2005



5.) Patrik Isaksson & Bandet, "Under Mitt Tunna Skinn" (Under My Thin Skin)
Singer-songwriter Patrik Isaksson had success around the turn of the century in Sweden, but 2006 marked a relaunch or comeback of sorts for him. His song "Faller Du Så Faller Jag," a piano-based ballad, may have qualified to the second chance round and just barely failed to qualify to the final from there (it took third), but it went on to be a hit for him; additionally, it was very well received critically. How do you follow up an entry that some critics viewed as one of the best ballads in Melodifestivalen in recent years (or period)? Not with a ballad, apparently, but more with a typical song for him, one with a powerful/pounding chorus--but also with a song that's said to not be quite as good as his previous entry.

To watch: well, I'm obligated to post his performance of "Faller Du Så Faller Jag" from Melodifestivalen 2006 (which bafflingly didn't show up on YouTube when I used YouTube's search function and typed in his name), but I do want to mention that I fell in love with his very very MOR ballad with Sarah Dawn Finer, "Du Som Tog Mitt Hjärta," last year. I really like his earlier hit "Hos dig är jag underbar" as well, and that's faster and with more of a punchy chorus, as is another earlier hit, "Ruta 1"



6.) Caracola, "Smiling In Love"
I have high hopes for a good song from this girl group! Caracola (if P4 can be believed, they're named after the Spanish word for "conch"--like the shell) have released two albums of dance-influenced pop, one in Swedish and one in English (well, I swear I remember seeing that they released an English album--called Love Alive or something, I think--and even almost buying it, but now some traces of that seem to have been erased from the Internet; it included many English versions of their earlier Swedish songs), but have yet to really break out in Sweden. "Smiling In Love" is another case of very good things being said but me not knowing many specifics; it's said to be a good modern happy pop song, and the girls themselves say it's catchy Caracola-type schlager. With luck, they'll be the year's Cosmo4--though hopefully they'll get a higher ranking! They're planning to release an album, This Is Caracola, this spring.

To watch: well...there's a non-professional video of them performing "Mango Nights" embedded below



7.) Ainbusk, "Jag saknar dig ibland" (I Miss You Sometimes)
This is a group I know nothing about--I guess they had some hits (big hits) back in the '90s. Josefine Nilsson, one of the members, competed in Melodifestivalen 2005 with "Med hjärtats egna ord." "Jag saknar dig ibland" is apparently a good ballad about regret and has a similar feel to Sonja Aldén's "För att du finns" from last year (with which it shares a creator). It starts with piano and then builds and has a big chorus. Schlagerprofilerna says that it's been said that it could have been a good comeback song for Shirley Clamp if she'd wanted to return to Melodifestivalen.

To watch listen: a montage set to their '90's hit "Lassie" (co-written by Benny Andersson)--there's a long talking bit at the beginning



8.) Eskobar, "Hallelujah New World"
Not your typical Melodifestival group, Eskobar are an indie-pop or alt-pop group that has been releasing music since the late '90s. They're also this week's joker/wildcard. Schlagerprofilerna reports that it's rumored (though how strongly, I have no idea) that "Hallelujah New World" is Eskobar's best song ever. Their song is also said to be uptempo with a clap-friendly section in the middle, and the band says the song is big/grand. They've got an album called Death In Athens coming out this March.

To watch: their 2002 hit single with Heather Nova, "Someone New"

I feel invincible

Swedish girl group Caracola aren't new; they've already released an album and had several singles that peaked fairly highly--suprisingly highly, from my perspective, though it's nice that they did. However, it's with their most recent single that they've switched over to English and might have a chance at winning over some more fans, even if only in blog world.

Mango Nights--for little bit, I ignored this song; it sounded maybe too dancey-trancey for me. As soon as I heard the full decent audio quality version, though, I loved it--well, that might be a little too strong, but this song is a lot of fun. It's perfect for summer, but, while some of the other "summer songs" I've mentioned feel designed for lazing around on the beach or sunny roadtrips, this is definitely--as you might expect, given the title--a song for the night. Glitzy and danceable, "Mango Nights" may have a title that seems to have little logical sense beyond being designed to make you think of tropical locales and clubs, but its upbeat catchiness should be enough to win you over.

To buy Caracola's single "Mango Nights," go here (physical) or here (digital). It's also worth noting that their earlier work, in addition to being on Klicktrack, is available in iTunes wherever you live.

Speaking of Swedish groups, the Schlagerboys have pointed out Barbados's new single, "Tid att gå vidare," which is a great dansband/schlager (I'm still not really able to tell the two genres apart usually, though I'm sure it's pretty obvious to anyone who's spent a decent amount of time listening to the two) song that happens to available for purchase on the UK iTunes.

Next up: maybe a Swedish singer. Or Spanish one. Or Russian one.